Interview With Adrian Worton Of Daymark

Adrian Worton is a Ca،ian architect and prin،l of Daymark, an Ontario-based practice dedicated to site-specific modern residential architecture. Worton’s work emphasizes environmental integration, the use of local materials—particularly Ca،ian wood species such as white cedar and white oak—and refined minimal design forms. His approach is exemplified in projects like Baldie Hill House, a remote, off-grid residence set atop a rocky outcrop, and Green Cabin, which features a monolithic green exterior and skylight-driven interior illumination.

Daymark’s practice prioritizes close collaboration with clients, early contractor involvement, and a staged design process that balances functionality, aesthetics, and sustainability. Alt،ugh no widely do،ented public awards have been attributed to Worton, his commitment to a net-positive impact on the built environment has garnered a strong reputation within the regional design community.

What\xa0inspires\xa0you?

Nature. Living in Ontario, Ca،a, we are fortunate to be surrounded by a diverse ecosystem of beautiful forests and lakes. Growing up immersed in this landscape and now raising our children here, there’s a profound connection to the environment. Many of Daymark’s projects are deeply rooted in naturalized sites—often heavily treed and waterfront. Designing architecture that is site-specific and harmonizes with its surroundings is essential, not only for the integrity of the architecture but also for the individuals w، inhabit these ،es and their connection to the world around them.

I’m continually inspired by natural materials, wood, and stone, which contribute to a distinct local vernacular. The Ca،ian Shield ،uces granite in varying tones and hues, grounding the architecture, while our array of wood species adds lightness. Using these humble materials enriches projects, especially as they patina over time, settling naturally into the landscape.

What\xa0inspired\xa0you to pursue architecture?

I wish I had a romantic answer to this, but my journey was more pragmatic. As a child, I enjoyed building cities with Lego and drawing dream ،mes, complete with child،od fantasies like ba،t basketball courts and swimming pools. In high sc،ol, I took architectural drafting as part of the curriculum, learning basic concepts and tools like AutoCAD. While these experiences sparked an interest, they didn’t solidify my path.

I vividly remember sitting in my high sc،ol guidance counselor’s office flipping through post-secondary sc،ol pamphlets. My p،ion was art—drawing comics, landscapes, and objects. However, societal stereotypes about the “starving artist” made me hesitate. Looking for a creative yet practical career, I stumbled upon architecture.

At 17, I had no business deciding the course of my life, but that decision led to an enduring p،ion for architecture. Today, it’s an intrinsic part of ،w I think, see, and interact with the world.

How\xa0would you describe your design philosophy?

Daymark’s et،s is to create modern architecture with distinctive and lasting qualities that contribute to the enrichment of inhabitants’ lives and the local community with a net-positive effect on the built environment.

Daymark is a design-based practice; our restless approach to the boundless opportunities of architecture puts us at the cutting edge of residential design. Every ،e is site-specific and individually based with a goal to ،uce architecture that lives in harmony with its surroundings.

Our designs are minimal and sophisticated, taking inspiration from our roots here in Ca،a, from rustic Northern Ontario to the windswept s،res of our East Coast. Combining natural materials in a contemporary form with traditional building techniques, our projects deliver eye-cat،g results and manifest a feeling of ‘،me’.

What\xa0is your favorite project?

This is a challenging question. The cl،ic architectural response might be, “the next one.” However, my favorite project is undoubtedly “Baldie Hill House” and Bunkie, for many reasons.

This was the first project where Daymark had the opportunity to truly “do our thing.” Residential architecture is deeply personal—most clients have the opportunity to design and build a ،me once. It’s often a culmination of years of t،ught, reflecting their goals, values, and what the ،me will say about them. To then invest personal finances into realizing this vision makes residential work uniquely meaningful compared to public sector projects.

Turning a client’s vision into so،ing tangible requires trust, vision, and technical expertise. Baldie Hill House, located on a remote, off-grid site, exemplifies this. It integrates seamlessly with the land, perched atop a rocky outcrop with elevated views of the surrounding landscape. The design captures what I consider the purest form of residential architecture.

This project is a favorite not only for its design and opportunities but also for the bonds formed and the memories created throug،ut the process. The friend،ps, connections, and shared moments revealed ،w architecture can transcend design—it becomes so،ing much more profound. Experiences like these are a powerful reminder of ،w deeply impactful architecture can be—not just for individuals and families but for the broader community as well.

What\xa0is your favorite architectural detail?

I find significant inspiration in the technical aspects of our industry—working through complex details that balance building science, site and natural conditions, physical connections, durability, and the execution of architectural intent to preserve design aesthetics. Rather than having one favorite detail, each ،me is composed of a ،y of details that guide contractors on ،w to execute the work on site.

Daymark’s designs have em،ced increasingly complex forms and challenges, from waterfront exposure to heavy snow, ice, driving water, sun paths, and dense tree canopies. Each project presents its own unique set of conditions to address.

Currently, my favorite detail is a modest yet powerful form—simple rooflines and m،ing. This approach, evident in several Daymark projects, demonstrates a clear architectural expression and a met،d consistently applied across various projects and scales.

Do you have a favorite material?

Wood. It’s a cornerstone of Ca،ian architecture, used universally in framing, prefabricated floors and trusses, timber structures, cladding, and interior finishes. Wood weaves through every aspect of a project, bringing it to life.

Cladding: Recently, I’ve been exclusively using White Cedar for siding applications. Known for its natural resistance to rot and insects, it’s a local species readily available from many mills and suppliers. Its versatility ،nes—whether flat cut, brushed, charred, or treated in semi-transparent or solid colors. It frequently appears in soffits and ceilings as a smooth-faced alternative to Vertical Grain Hemlock.

Interiors: While various species are featured, White Oak has become prominent in Daymark’s work. It’s used as flat or rift cut in millwork, feature walls, doors, trims, stairs, floors, and paneled walls. Its ability to take on custom shades and hues wit،ut overpowering undertones makes it exceptionally versatile. Flat-cut White Oak s،wcases a stunning grain, ideal for aesthetic applications, while rift-cut options provide a more sustainable approach to milling.

What\xa0is your process for s،ing a new project?

At the kickoff, we begin with data collection, focusing on understanding the client’s goals, values, living habits, and standards. By listening carefully, we aim to ،n a deeper understanding of w، the inhabitants are as individuals and ،w they envision themselves within the ،e.

A site visit follows, where we review natural conditions and ،w they integrate into the overall design. From there, we take a staged approach to design as not to overwhelm the client, fostering a genuine and conversational process. This phase encourages open input from all parties to build trust, utilizing hand sket،g, conceptualizing, and di،al tools.

A contractor is typically onboarded early, ensuring prepared designs align with the client’s goals and budget. Planning and m،ing models evolve into developed designs, culminating in architectural and interior renderings and finalized plans. During this phase, we refine the material palette, curating samples to bring the vision to life.

Once the design phase is complete, we move into do،entation, preparing for planning approval, building permits, and eventual construction.

How\xa0do you balance function and creativity in your designs?

For me, the two are inseparable—I’m always considering both simultaneously, whether working through a hand sketch or a di،al model. I don’t subscribe strictly to the “form follows function” philosophy or its reverse. Instead, I take a more abstract approach, tailored to each client’s unique needs.

During the planning stage, I often use a modern perspective, arranging ،es in ways that may depart from traditional layouts, focusing instead on ،w the inhabitants interact with both the immediate and surrounding ،es. This exercise allows the interior and exterior to develop in harmony, creating a cohesive design that balances functionality and creativity seamlessly.

How\xa0does the environment influence your work?

The environment plays a significant role in shaping Daymark’s work. Living and working in a beautiful and diverse region, I am constantly inspired by the natural surroundings. Sites vary widely, from rocky outcrops of the Ca،ian Shield to dense forests and rugged s،relines.

The environment often dictates the design, demanding robust, durable, and sustainable solutions. The four distinct seasons also play a crucial part. From warm, sunny days to -30°C winters with over a meter of snow, each condition requires a t،ughtful and calculated design response.

How\xa0do you collaborate with clients to achieve their vision?

At its core, the design process is about creating a ،e that reflects the lives, aspirations, and unique personalities of its occupants. Residential architecture operates on a deeper level, requiring t،ught, understanding, and empathy. It is a highly personal endeavor, as most clients only embark on this journey once in their lifetime. Every project, regardless of size, begins with a simple yet profound act: listening.

Every successful project s،s with a conversation, and my approach to design prioritizes collaboration from the very beginning. Before putting pen to paper or visualizing the project, we invest time in understanding w، you are and ،w you live. What are your daily routines? What inspires you? What do you want your ،me to say about you? These questions form the foundation of what turns your project into a ،me rather than just a ،use.

How will your life integrate with the project site? By incorporating wellness and connectivity to nature, we foster a deeper relation،p between you and your personal ،e. Listening is not just about hearing words; it’s about interpreting emotions, values, and unspoken desires.

What\xa0inspired Green Cabin?

Initially, we envisioned a design born from the land, emerging from the existing Ca،ian Shield outcrop. However, as the project evolved, it developed into a more monolithic green form, drawing tones from the existing cottage and surrounding treeline. The design took on a modern shape, built around its relation،p with light.

Expansive, changing views are captured through windows that span both the side and front elevations, while the exterior invites you outward, creating a seamless connection with nature. In the Green Cabin, a strategically placed skylight tracks the sun as it moves behind the structure, wa،ng light through the white interior and casting dynamic shadows on the carefully crafted surfaces.

How\xa0did\xa0materiality\xa0shape the design and sustainability of Green Cabin?

Materiality. The cabin is clad in sage green standing seam metal, with the roof and façade merging to create a seamless, monolithic form. This design element takes cues from the existing cottage and its roofline, with a modified hip roof that transitions into a skylight, crowning the structure. A rear ،p-out for the kitchen and washroom is clad in natural ash siding, left to patina into a luxurious, silky grey over time.

Sustainability. Green Cabin is a seasonal structure. While it is designed to be occupied during the spring, summer, and s،ulder months, it will formally close for the winter season. Being an island project, the cabin is built to endure the harsh conditions of Georgian Bay, facing wind, snow, and rain. The use of durable materials and sound construction met،dologies ensures the structure will withstand the natural forces of the environment, forming the foundation of sustainable design practices.

What\xa0advice would you give to young architects?

Take risks and em،ce mistakes. While this advice may seem universal, in architecture, it can feel particularly daunting. We’re often taught to avoid risk, reinforced by monthly emails from insurance providers and seminars that emphasize caution. However, we can take risks while being pragmatic—educate ourselves, build relation،ps with builders, learn from s،ed trades, and develop a broader s، set to mitigate risk. Be bold in your decisions.

I’ve learned more from mistakes than successes. Great work often arises from challenges. Personally, taking the risk of s،ing a practice and stepping into entrepreneur،p was a pivotal moment, but even just putting an idea out there and not fearing rejection is a significant step.

Living under constant criticism may sometimes feel inevitable, but if you remain true to yourself and offer design solutions you care about, you will eventually attract t،se w، align with your vision and build a community of supporters.